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Conversing with yesteryear superstar Shabnam, who remained at the top of her bold for four decades, is like travelling aback in time to an era that not abandoned admired and acclaimed accurate art but additionally the accuracy abaft it.
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I bent up with her over a buzz alarm to her Dhaka abode area she had acclimatized bottomward — afterwards retirement from Pakistani films in 1999 — with her backward bedmate and acclaimed musician, Robin Ghosh. Our chat took abode afore she landed in Karachi afresh to appear the 18th Lux Style Awards area Atif Aslam, Maya Ali and Saba Qamar paid admiration to her activity and times. She additionally accustomed the Lifetime Achievement Award at the show, and abutting her on date was her co-star from their heyday, Nadeem Baig, whom she considers family.
Shabnam has belief to tell, some of which she remembers absolutely vividly. From antagonism the allegorical amateur Muhammad Ali to a blur set to see which of the two ability there first, to the alarming moments of seeing her aeon accepting unceremoniously kicked out from their offices at Evernew Studios afterwards a alternation of flops.
“Quite honestly, I don’t accept politics,” she recalls of the time aback Bangladesh came into actuality and Pakistan’s two accurate address on both abandon were broken apart. Shabnam didn’t move aback East like some of the added Bengali artists. “I could’ve gone to Dhaka, but I had so abounding films I had committed to that I couldn’t accept accustomed up 20 years of adamantine assignment and broke my acceptability by walking away. Of course, I knew I would go aback to my family, but abandoned afterwards I had completed my work. My parents kept visiting me but when, in 1988, my ancestor fell actively ill, I had to fly out to Dhaka from Karachi. I begin him and my mum all alone, which agitated me terribly. But afresh again, to abstain complications, I didn’t cull aback from my work, and eventually abandoned absitively to move aback to Dhaka for acceptable in 1999.”
Despite accepting accomplished super-stardom in the blur industry decades ago, Shabnam has never let it go to her head. Her attitude — or abridgement of one, if you will — still holds her in acceptable stead
Shabnam amorphous her showbiz career as the adolescent Jharna from her hometown as a teenager. Aback offers from West Pakistan came cloudburst in, she initially acquainted abashed as she was not accomplished in the Urdu language, she remembers, demography a cruise bottomward anamnesis lane. Her Urdu dialogues for the aboriginal few scripts acclimated to be accounting in Bengali and she would memorise them. It all formed out in the end though.
“Initially, I was afraid of activity to a new abode and alive there afterwards alive the language. I didn’t appetite to be the base of all jokes,” says Shabnam. “And so, for about eight years, I kept crumbling offers from West Pakistan. But afresh I formed in a black-and-white cine alleged Aakhri Station (1965), which, incidentally, I was brash not to do aback there was additionally abandoned one allotment of chat and no make-up. The appearance of Pagli in it absolutely batten to me aback I’d aboriginal heard it. It was beautiful. I started acquirements Urdu from a abecedary who was originally from Lucknow and afresh there was no attractive back.”
Whilst it was all acceptable in the ‘hood for her, it wasn’t until she active Waheed Murad’s assembly Samandar (1968) that she entered the big alliance and realised how distinction came with its own baggage, and a mindset she didn’t accept of.
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“On the aboriginal day of set, I accustomed at 8am aciculate to get started with my make-up. I kept allurement the administrator aback we’d alpha filming and he kept cogent me that we would alpha aback Waheed sahib would appearance up, which he didn’t till backward afternoon,” she narrates. “Nonetheless, at 6pm, I told them it was time for me to leave. I was consistently actual accurate about timings and Waheed sahib started laughing. He told me this is how the industry functioned, yet I still fought with him afresh aback he accustomed backward the abutting day.
“That’s aback Waheed sahib sat me bottomward and told me I could appearance up on set whenever I capital to aback I was a star. But to me, there was and never is any alibi for unprofessionalism.”
What is additionally capital to Shabnam, and is reflected in our tête-à-tête, is this faculty of professionalism and punctuality.
“I anticipate how I conducted myself was absolutely aloft me. I could’ve backward out backward nights or absurd jokes with co-stars, and it’s not that I was uptight. I did accept a acceptable time, but I consistently knew area to draw the band with my colleagues,” she notes, demography into annual the contempo advance of complaints about aggravation in the industry.
“When I started accomplishing films, I’d told anybody from the actual alpha that I’d never do annihilation vulgar. I wouldn’t abrasion clothes that apparent too abundant skin, I wouldn’t ball in a way I begin provocative, and so cipher anytime accepted that from me. I congenital my angel actual anxiously and consciously. Afterwards I got married, all my ancestors asked of me was to account the Ghosh ancestors name.”
And she absolutely lived by those principles. Shabnam’s apparel credits were accustomed to her for the apparel she would architecture herself afterwards account her characters, accumulation her apparel from beyond Bangladesh, India and alike the UK. Afterwards ambagious up the calm spell for Dosti (1971), area she played a aboveboard villager, the alfresco leg of cutting began in Abbottabad with filming of Noor Jehan’s hit number, ‘Chitthi zara saiyyan ji ke naam likh de’, which she initially banned to shoot. “The thumkas that the ball choreographer capital me to do were annihilation like the character, and so the administrator eventually let me ball about I capital to,” she reminisces.
“I was never absolutely absorbed in account either, I never inquired about my colleagues’ claimed lives, I acquainted as if it were an aggression of their privacy,” she expresses, consistently accepting her arch in the appropriate place.
Today, one can abandoned admiration how distinction didn’t go to her head. “I anticipate it came from God,” she responds. “I consistently kept myself actual low-profile. I never anticipation producers were afterwards me, or that I could bandy tantrums. I consistently knew I had to allege to anybody on the set respectfully. I never got into a petty argument with a announcer or a rival. In fact, I acquainted as if there were consistently the accountability of success on my shoulders. Aback all eyes are on you, not abandoned do you accept to accomplish able-bodied but conduct yourself a assertive way, too. I see that defective today.”
Shabnam tells me she had absitively to retire continued afore the absolution of the blockbuster film, Aina (1977). For years, the anticipation of not actual accordant was like a aphotic billow blind over her head. But afresh Aina afflicted everything.
She says she belonged to the “golden times” aback the blur industry progressed in accord and affection was focused on. The advance of low-quality Punjabi cinema led to the abasement of agreeable and brought about the ruin of the blur industry, she feels.
After behest the fraternity conge for about two decades, she afresh active on to Ali Tahir’s consecutive Mohini Mansion Ki Cinderellayein (MMKC) on Bol TV, arena a appearance that is Shabnam’s die-hard adherent and, in the process, breaking the fourth-wall.
“In 2016, the biographer Fasih [Bari Khan] and ambassador Ali Tahir alleged me and offered me the role of a woman who is extra Shabnam’s better fan, and I absolutely admired the idea. It was article actual altered and clashing what I’d apparent on TV before. Afterwards watching MMKC, I feel it’s hilarious! It’s such a admirable consecutive attempt in the close burghal of Lahore and I absolutely enjoyed activity to Lahore for it,” she says as a departing note.
“I was afraid the aboriginal few canicule because I’d never done a consecutive before, but the analysis was actual filmi, so I never acquainted as if I was cutting for a new medium. I was, however, a newcomer myself and I’m actual advantageous I got to assignment with the MMKC team.” Alike now, Shabnam charcoal the ultimate apprehensive professional.
Originally appear in Dawn, ICON, August 18th, 2019
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